Category Featured

Boats in the Harbour

It is not fair to say what I experienced in Japan is the same as what new Canadian immigrants must feel. We have a much stronger immigrant culture, one with a goal of emphasizing multiculturalism and embracing newcomers. Even those of us who were born in Canada still claim ties to the nations of our ancestors, as Neil Bissoondath points out. Anyone who can trace their lineage will call themselves half-Swedish or one-quarter French. Only those who trace their ancestry back to the earliest settlers will, at a loss, despairingly say, “I’m just Canadian.”
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Joji Kumagai: standing at the crossroads of community

Growing up in Port Moody BC in the early eighties, Joji Kumagai wasn't particularly interested in his Japanese heritage. The son of Tatsuya and Akiko Kumagai, he saw himself as a typical Canadian kid—playing sports and hanging with his friends. After graduating from Port Moody Senior Secondary School he attended Simon Fraser University, where he majored in ecology with a minor in toxicology. In the summer of 2001 Kumagai travelled to Japan where he was able to get to know many relatives for first time, including his maternal grandmother, to whom he grew attached.
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Editorial

As we head into the holiday (i.e. shopping) season, some of you are no doubt wracking your brains, wondering what to give that special someone on your list. An iPhone? already have one . . . Snow tires? too practical…

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Kizuna: Connecting through Generations Part II

The goal of Kizuna, Carter says, “is to start a dialogue and dynamic interchange across generations which provides an innovative, fresh perspective on cultural concerns.” With that in mind, she chose four younger emerging artists based on their diverse perspectives on Japanese Canadian experience, the range of media they represent, their desire to build connections within the community, and the importance of their work in relation to cross-cultural understanding. She invited the four artists to meet with community elders and to delve into the museum collections—photographs, archival materials and artifacts—as a means of inspiring discussion and as a visual inspiration for the artists.
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inReview: Vancouver International Film Festival

Soda Kazuhiro usually works without a theme in mind when he shoots, finding his premise only later in the editing room. Hence, he almost rejected a commission from a Korean film festival to shoot a short film about peace and coexistence. Fortunately, he accepted the challenge, and what emerged was not a short but an intriguing and delicate feature. Peace was named after the brand of cigarettes smoked by 91-year-old Hashimoto Shiro, a gentleman who dresses in suit and tie even while dying of lung cancer. He receives compassionate care at home from welfare workers (the director’s in-laws), whose pay is so meager that they’re basically working as volunteers. After work, the director’s father-in-law cares for his five cats and one “thief cat” who steals the others’ food and encroaches on their territory. As the stranger cat gains acceptance among the cat community, war is averted and conflict neatly resolved. The matter of resolving human conflict is more complicated, and Kazuhiro’s enduring images leave a haunting resonance and many questions.
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Editorial

While the Vancouver Nikkei community can sometimes be fractious and is not always the model of cooperation, the fact is, we are a small but powerful community bound together by a common history. Like in any family, competing interests and…

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