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President’s Message

Our membership is invaluable to us as a community organization. Each annual membership, along with the funds from our advertisers, provides us with the means to support the day-to-day functions of the GVJCCA, providing programs and services, and publishing The Bulletin each month. We encourage our members to keep their membership up to date. With our economy in such rough shape, we realize that sometimes this may be difficult. Please check the mailing label on the back cover for the expiry date. Your membership provides The Bulletin as an invaluable source of information about the Japanese Canadian community.

New Citizenship Study Guide

Discover Canada: The Rights and Responsibilities of Citizenship By Tatsuo Kage In November 2009, Citizenship and Immigration Canada (CIC) of the Federal Government introduced...

Cy Hisao Saimoto

Cy Hisao Saimoto was born in Steveston, BC on April 21, 1928, one of ten children born to Kunimatsu and Kiku Saimoto, who had...

Limelight – Richard Murakami

By Sean McIntyre – Gulf Islands Driftwood reprinted by permission Richard Murakami has a poem by Mother Theresa hanging on the wall of his...

Henry Wakabayashi C.M. O.B.C.

As a seven-year-old boy in the Rosebery internment camp, Henry Wakabayashi used to play by the shores of Slocan Lake, which lay just outside...

inReview: Vancouver International Film Festival

This ambitious first feature by Mariko Tetsuya interweaves manga with the story of a budding boxer to create a double world, half fantasy, half reality. Tetsuya has a talent for creating heart-pounding suspense.

Honouring Our People: stories of the internment

My name is Seichi Bill Tahara, a depression-born Nisei. My birth certificate indicates I was born at 143 Dunlevy Street in the heart of Japantown some 80 years ago. Today, enjoying RETIREMENT in one of THE best places to live, Victoria. I am delighted to have the opportunity to attend this weekend’s conference with you to share a few memories of some of my personal experiences, thoughts and recollections growing up during a very unsettling wartime & internment years during the early 1940s.

POWER 2: interview with Kaoru Matsushita

I personally leave rehearsals deep in thought, recalling my past and things that I forgot about society and other people’s lives. Then I get motivated. It’s similar to when I hear good music or sound and something sparks in my brain.

after the quake

During the writing of The Wind-Up Bird Chronicle, Japan was shaken by the twin traumas of the Kobe earthquake and the Aum Shinrikyo sarin gas attack. In the aftermath of these events, he returned to Japan and published his first work of non-fiction, Underground, and the short story collection after the quake.

This month, Pi Theatre and Rumble Productions team up to present after the quake at Studio 16. Running November 19 to December 5, after the quake is an adaptation of two stories from the book of short stories by the same name . . .

Crossing the Cultural Divide: Chibi Taiko in Onomichi

It’s not easy to walk into a strange rehearsal hall in a strange country where one doesn’t speak the language or understand the culture and play on unfamiliar drums, but right from the first drum beat, the Chibi kids showed they were ready to give it everything they had.

Sento in Seattle: a visit to the historic Panama Hotel

The rooms are out of another era, with eccentric touches, each one a little different: on the original iron bedsteads are thick mattresses, fluffy comforters, and piles of pillows. Japanese themed prints hang on the walls, and on each dresser sits a globe and a bottle of Mt. Fuji spring water.