The Bulletin

Letter to the Editor

I read in the December ’07 Bulletin that the redevelopment of Oppenheimer Park will commemorate the Japanese Canadian history of that park. It seems...

In His Own Words: Giorgio Magnanensi

Kiyooka represented and still embodies an idea of art making in which the main focus and value stay with the making, the process of making beautiful things; the perspective being on the process itself and not so much on the final object. When creative energy manifests itself as such a force, beyond disciplines and aesthetic definitions, that energy needs and wants to be taken care, to continue to inspire people so that we can feed our hopes that self expression as a sellable item will be eventually substituted by creative energy as an agent of change. Kiyooka was also aware of the power of sound, sound making as a social-dialogical process, an improvised collaboration among creative minds and souls: the value of difference as a patrimony to share.
Giorgio Magnanensi

Remembering Roy Kiyooka

When Roy Kiyooka died suddenly and unexpectedly in February 1994, he left behind a legacy of creativity fuelled by a lifelong passion for making art, in all its various guises. Born in Moose Jaw, Saskatchewan in 1926, he grew up in Calgary, Alberta, where he began his studies at the Provincial Institute of Technology and Art (now the Southern Alberta Institute of Technology and Art). Over the course of his career, he was known as a painter, photographer, musician, film-maker, poet and teacher. He taught at several universities during his career, retiring from the University of British Columbia in 1991.